LAST YEAR'S
TABLE MEETINGS

Rm. 321 [A2]

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B-Floor Theatre -

Trance: The (Un)governed Body

TEERAWAT MULVILAI
B-Floor Theatre (Thailand)

Rm. 322 [A3]

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Rm. 323 [A4]

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Rm. 320 [B1]

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Character Lab and Crossing Borderline

 

PARNRUT KRITCHANCHAI & JATURACHAI 

SRICHANWANPEN

Sudwisai Club (Thailand)

Rm. 321 [B2]

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Collective Thai Scripts

JARUNUN PHANTACHAT

Collective Thai Scripts (Thailand)

Rm. 322 [B3]

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The Beauty of Violence

 

IRWAN AHMETT
(Indonesia)

Rm. 323 [B4]

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What do the Producers Need for International Capacity Development?

 

Korean Foundation for International Cultural Exchange (KOFICE)

Rm. 320 [C1]

Tua-Tiu-Tiann International Festival of Arts- Curating and Planning an Independent Art Festival

YI-KAI KAO

Tua-Tiu-Tiann International Festival of Arts (Taiwan)

Rm. 321 [C2]

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What is MasterClass Studio - Performing Arts School and Learning Space?

 

ROBIN SCHROETER

MasterClass Studio (Thailand)

Rm. 320 [D1]

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Morphosis - Keeping Traditions in an Evolving Environment

IMRAN MANAFF

Maya Dance Theatre

(Singapore)

Rm. 321 [D2]

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A Dialogue on Running a Not-for-Profit Performing Arts Centre

 

IAN CHOW

The Kuala Lumpur

Performing Arts Centre

(Malaysia)

Rm. 322 [D3]

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Art that Makes Young Audiences Strong

PARON MEAD

Paron School of Art

(Thailand)

Rm. 323 [D4]

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A Dialogue between the Past and the Present of Korean Music 

DR. KIM HEE SUN

National Gugak Center (South Korea)

Rm. 320 [E1]

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Performing Arts for Children with Special Needs

 

CHANUT PONGPANICH

(Thailand)

Rm. 321 [E2]

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No Funds = No Fun

 

THIPTAWAN UCHAI

(Thailand)

Rm. 322 [E3]

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The Asian Dramaturgs' Network (ADN)

 

LIM HOW NGEAN
(Australia)

BIPAM Newsletter

We'll keep you posted about BIPAM and the performing arts scene in Thailand,
just from time to time. Sounds good?