LAST YEAR'S
TABLE MEETINGS

Rm. 321 [A2]

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B-Floor Theatre -

Trance: The (Un)governed Body

TEERAWAT MULVILAI
B-Floor Theatre (Thailand)

Rm. 322 [A3]

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Rm. 323 [A4]

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Rm. 320 [B1]

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Character Lab and Crossing Borderline

 

PARNRUT KRITCHANCHAI & JATURACHAI 

SRICHANWANPEN

Sudwisai Club (Thailand)

Rm. 321 [B2]

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Collective Thai Scripts

JARUNUN PHANTACHAT

Collective Thai Scripts (Thailand)

Rm. 322 [B3]

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The Beauty of Violence

 

IRWAN AHMETT
(Indonesia)

Rm. 323 [B4]

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What do the Producers Need for International Capacity Development?

 

Korean Foundation for International Cultural Exchange (KOFICE)

Rm. 320 [C1]

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Tua-Tiu-Tiann International Festival of Arts- Curating and Planning an Independent Art Festival

YI-KAI KAO

Tua-Tiu-Tiann International Festival of Arts (Taiwan)

Rm. 321 [C2]

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What is MasterClass Studio - Performing Arts School and Learning Space?

 

ROBIN SCHROETER

MasterClass Studio (Thailand)

Rm. 320 [D1]

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Morphosis - Keeping Traditions in an Evolving Environment

IMRAN MANAFF

Maya Dance Theatre

(Singapore)

Rm. 321 [D2]

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A Dialogue on Running a Not-for-Profit Performing Arts Centre

 

IAN CHOW

The Kuala Lumpur

Performing Arts Centre

(Malaysia)

Rm. 322 [D3]

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Art that Makes Young Audiences Strong

PARON MEAD

Paron School of Art

(Thailand)

Rm. 323 [D4]

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A Dialogue between the Past and the Present of Korean Music 

DR. KIM HEE SUN

National Gugak Center (South Korea)

Rm. 320 [E1]

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Performing Arts for Children with Special Needs

 

CHANUT PONGPANICH

(Thailand)

Rm. 321 [E2]

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No Funds = No Fun

 

THIPTAWAN UCHAI

(Thailand)

Rm. 322 [E3]

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The Asian Dramaturgs' Network (ADN)

 

LIM HOW NGEAN
(Australia)